Showing posts with label singers. Show all posts
Showing posts with label singers. Show all posts

Wednesday, July 5, 2023

Nino and the Ebb Tides.....A Study of "And The" Singing Groups

 


Nino and the Ebb Tides

 

 

While listening to the “50’s” channel of Sirius Radio the other day, I heard the now obscure musical masterpiece Jukebox Saturday Night by Nino and the Ebbtides. The recording was a 1961 remake of an original Glen Miller song with the lyrics and beat updated and Nino singing:

  It's so easy to reminisce

When you listen to the Monotones singing this

"I wonder, wonder who, be do do who

Who wrote the book of love” ………Nino and the gang also recorded Those Oldies But Goodies which, like Jukebox Saturday Night also featured the group singing snippets from “old” songs

……,however, Nino’s version was eclipsed by a version recorded by Little Caesar and the Romans . Those oldies but goodies reminds me of you

The songs of the past bring back memories of you

I always remember the first night we met

The songs they were playing I never will forget

 

It is important to note  that the seemingly ancient, featured lyrics in Oldies but Goodies as well as those featured in Jukebox Saturday Night were maybe three years old at the time.   

Nino and the Ebb Tides got us to thinking about AND THE singing groups and bands, which like Nino have AND THE as their middle names because, well wouldn’t you? 

AND THE groups have been with us for over 70 years but now it was time to really explore this egocentric genre which features a lead singer and backup group. Our research began with our own iTunes playlists.  We noted that - with a few exceptions, - “AND THE” largely faded from group names after the 50’s, 60’s, 70’s heyday. Yes, sadly, no more Dion and the Belmonts. After our iTunes survey, we searched our memory, what’s left of it, and came up with a few more.  Internet investigation yielded more of the forgotten once, I figured out the correct question.  Asking for lists of “AND THE” groups didn’t work. Then it was time to bring in the heavy hitters.  I asked Margaret. She immediately came up with eight that I hadn’t thought of and the list was well under way.  Alas, most of these groups are now forgotten, so we have listed their biggest hits which also are mostly forgotten other than the several boutique radio stations and networks that focus on eras or decades.  

The 1950s were the high point of the “AND THE” Groups although the 60s were close behind.  They began to fade in the 70’s, were just about gone in the 80s and 90s but were coming back in the 2000s where we found, Grace Potter and the Nocturnals, Bow Thayer and the Euphorians, Florence and the Machine, Nathaniel Rateliff and the Night Sweats and one of questionable pedegree, Vinnie Pauleone and the Bada Bing Orchestra

 

The search for “AND THE” groups spread to my friends.  First, I had to explain Nino and the Ebbtides – no one, absolutely no one, knew Nino and the Ebbtides and I bet neither do you. 

One day on the golf course I announced to my compadres, Todd and Bill, both 80s music boys, that I was compiling a list of “AND THE” groups. They know me well so they didn’t ask “Why?” Todd jumped right in.  He gave me George Thorogood and the Destroyers.  Bill, not quite grasping the spirit of the moment, whined, “oh great, now besides thinking about aligning the golf ball, worrying about my back swing and aiming the shots, I have to think about “AND THE” groups?”  Needless to say, Bill wasn’t much help that day although he did play well. Meanwhile, Todd kept contributing.  “Florence and the Machine” he blurted out as I was in the middle of my backswing.   There was another he couldn’t think of but described them as “sounding like Bruce Springsteen and the E Street Band, including the saxophone…from Boston”. Todd mulled this one over for the next hour or so. Bill was pretty sure he knew the group but couldn’t think of the name as they had appeared at the University of Connecticut while he was in college, and, besides, he was worried about finding his golf ball in the woods. Post golf, driving home, Bill announced that he was certain that his friend Rob, a music aficionado, would know the group who “sounded like Bruce Springsteen and the E Street Band, including the saxophone from Boston”.  At the time Rob was somewhere in Virginia hiking the Appalachian Trail. Bill texted Rob asking if he knew an 80’s group who “sounded like Bruce Springsteen and the E Street Band, including the saxophone from Boston”. Minutes later Rob texted back from somewhere deep in the forest while dodging assorted mammals and reptiles and plants that can do bodily harm, “John Cafferty and the Beaver Brown Band”. Whew!  Inspired, Todd chimed in with another, “Steve Earle and the Dukes”. Meanwhile I came up with Ruby and the Romantics but neither Todd nor Bill had heard of them. 

My final list was longer than I thought it would be.  Then I sent a draft of this essay to my oldest friend (he’s a month older than me), Lee.  Lee and I grew up listening to music. Lee  came through as along came Jay and the Americans, Dick Dale and the Del-Tones, Joey Dee and the Starlighters, Sunny and the Sunglows, Ronnie and the Hi-Lites, Kathy Young and the Innocents, Jimmy Gilmer and the Fireballs, and Curtis Lee and the Dunes (I knew Curtis Lee but I didn’t know he had Dunes). So how to categorize?  Then along came our music buff friend John.  Inspired by this essay, John took to his exercycle and contemplated as he puffed away and came up with Tommy James and the Shondells, Sam the Sham and the Pharoahs, Joan Jett and the Blackhearts, and Captain Beefheart and His Magic Band.  John also suggested Dylan and the Dead and Ziggy Stardust and the Spiders from Mars but they are one shot albums.

Organization by themes seemed to be a good idea. 

 

Decades listed for groups are when the group was founded. For example, a group may have been founded in the 1960s like Bob Marley and the Wailers but achieved fame in the 70s and into 1981 until Marley’s untimely death.  Many groups spanned multiple decades such as Gladys Knight and the Pips from the 50s – late 80s. 

 

The Ego Theme.  We have Groups where the lead singer eventually stood alone while the others became AND THE – separated by a few feet on stage and lots of money off stage. If they weren’t musicians, they would be doing dance steps:

From Motown we have The Supremes who became Diana Ross AND THE in 1967 thanks to Berry Gordy Jr. …..but then Diana  dumped the Supremes altogether for her  Diva career. The Supremes soldiered on but…….– Where Did Our Love Go?

The Miracles became Smokey Robinson AND THE in 1965 (by this time Smokey was also a Vice President of Motown Records) -Shop Around

The Four Seasons became Frankie Valli AND THE – Sherry. The Frankie Valli And The…….was never official as Valli had various solo incarnations and the group itself also recorded a few songs as the Wonder Who. They are frequently referred to as Frankie Valli and the Four Seasons. 

The Crests became Johnny Maestro AND THE – Sixteen Candles…….Maestro left the Crests in 1961 but they had variously been billed as Johnny Maestro and the Crests.  Recording names and the record labels and contracts involved in those days were, shall we say, fluid. 

The Teenagers became Frankie Lymon AND THE in 1957 – Why Do Fools Fall in Love. Frankie, age 14, was the older brother of Lewis, see Lewis Lymon and the Teenchords below. 

The Famous Flames became James Brown AND THE – Please, Please, Please

The Maytals  became Toots AND THE 1960s – Pressure Drop

The Animals became Eric Burdon AND THE 1960s – House of the Rising Sun

The First Edition became Kenny Rogers and the First Edition.  Then the First Edition went out of print and it was just Kenny Rogers – Just Dropped in to See What Condition My Condition was In – 1960s

Scholars:

Danny and the Juniors - At the Hop – 1950s

Anthony and the Sophmores - Play Those Oldies, Mr. Dee Jay – 1960s (This record also featured samplings from “old” songs)

There was a group called the Four Freshmen (1950s) but regrettably, they had no AND THE (although I think Orientation and the Four Freshmen might have worked). It appears that no one got as far as “And The” Seniors. 

After Dark we have:

Nathaniel Rateliff and The Night Sweats, 2000s - S.O.B

Grace Potter and the Nocturnals, 2000s - Paris (ooh la la)

Harvey and the Moonglows, 1950s - 10 Commandments of Love

Hank Ballard & The Midnighters 1960s – Finger Poppin’ Time

Otis Day and the Nights (This is the band from the movie Animal House), 1970s - Shout

Maurice Williams and the Zodiacs, 1960s- Stay.  Personal note, the author believes this to be one of the greatest singles of all time. 

Joey Dee and the Starliters, 1960s -Peppermint Twist

Ronnie and the Hi Lites, 1960s -I Wish that We Were Married

Jimmy Gilmer and the Fireballs,  1950s (although Fireballs could be a drink), Sugar Shack

Geography:

Johnny Maestro and the Brooklyn Bridge, (The Crests were gone by now, possibly under the bridge) 1950s -The Worst That Could Happen

Dion and the Belmonts (Belmont Ave. in The Bronx), 1950s – Teenager in Love

Mitch Ryder and the Detroit Wheels, 1960s – Devil With the Blue Dress On/Good Golly Miss Molly

Southside Johnny and the Asbury Jukes, 1970s - I Don’t Want to Go Home

Bruce Springsteen and the E Street Band, 1970s - Rosalita

Bruce Hornsby and the Range, 1980s (or it could be an appliance) – The Way it Is

K.C and the Sunshine Band, 1970s - That’s The Way I Like It

Little Caesar and the Romans, 1960s – Those Oldies But Goodies

Ronny and the Daytonas, 1960s – Little G.T.O

Barefoot Becky and the Ivanhoe Dutchman, 1980s -7 Beers with The Wrong Woman

Curtis Lee and the Dunes, 1960s-Pretty Little Angel Eyes *We knew Curtis Lee but we didn’t know about the Dunes. 

Jay and the Americans, 1950s – She Cried -This was with original lead “Jay”, Jay Traynor. Traynor would be replaced by Jay Black - not really a Jay - his real name was David Blatt - so they remained Jay and the Americans, Cara Mia

Audubon Society:

Don Julian and The Meadowlarks, 1950s – Heaven and Paradise

Sonny Til and the Orioles, 1950s – Crying in the Chapel

Marv Johnson and the Falcons,1950s – Happy Days

Dorothy and the Swans – 1960s , You Know  You Lied

British Invasion 

Gerry and the Pacemakers, 1950s – Ferry Cross the Mersey

Billy Jay Kramer and the Dakotas, 1960s – Bad to Me

Freddy and the Dreamers, 1960s (this dreadful group and their recorded treacle did severe damage to the British Invasion and music in general) – I’m Telling You Now 

Wayne Fontana and the Mindbenders, 1960s – The Game of Love

Eric Burdon and the Animals, 1960s – Spill the Wine

Eric Burdon and the New Animals – after a dispute over the group name The Animals

Geology 

Sly and the Family Stone, 1960s – Dance to the Music

Rick Nelson and the Stone Canyon Band, 1970s - Garden Party

Made Up Names i.e.  The Rosie and the Originals (1960s – Angel Baby) Category

Kenny Vance and the Planotones – Kenny’s career was Doo Wop revival covers but he was an original member of Jay and the Americans. 

Martha and the Vandellas, 1960s (Among the Amharic speakers of North Central Ethiopia, a vandella is one of several types of ghost-walking or dream-invading demons/vampires but the name of the group was coined by Berry Gordy of Motown Records) -.  Dancing in the Street

Lewis Lymon and the Teenchords, 1950s – I’m So Happy

Vinnie Pauleone and the Bada Bing Orchestra, 2000s - Sopranos Theme: Woke Up This Morning

Archie Bell and the Drells, 1960s – The Tighten Up

Toots and the Maytals, 1960s - Pressure Drop

Gladys Knight and the Pips, 1960s – Midnight Train to Georgia 

Tommy James and the Shondells, 1960s – Hanky Panky

Barry and the Tamerlanes, 1960s – I Wonder What She’s Doing Tonight …We note that Barry and the guys could have been trying for Tamburlaine the Great, a Christopher Marlowe play based on the life of Turco-Mongol conqueror who founded the 14th centuryTimurid Empire in Afghanistan….but maybe not. 

The Great Outdoors:

Dante and the Evergreens, 1950s – Alley Oop

John Cafferty and the Beaver Brown Band, 1970s – On the Dark Side

Expressive  Groups:

Bob Marley and the Wailers, 1960s - No Woman No Cry

Jerry Butler and the Impressions, 1950s – For Your Precious Love

Curtis Mayfield and the Impressions, 1960s – People Get Ready

Vito and the Salutations, 1960s – Unchained Melody – Unforgettable speeded up version of the romantic classic……Oh, my love, my darling
I've hungered for your
Touch, touch, touch, touch, touch
Woo-oo-oo-oo (yeap)
Time goes by so slowly
And time can do so much
Much, much, much, much, much
To you, oo-oo-oo

Ruby and the Romantics, 1960s – Our Day Will Come

Tom Petty and the Heartbreakers, 1970s – American Girl

Lee Andrews and the Hearts (Would also fit in a separate Anatomy Listing), 1950s - Teardrops

Joan Jett and the Blackhearts, 1980sI Love Rock and Roll

Fitz and the Tantrums, 1990s, Handclap

Bow Thayer and the Euphorians, 2000s – I Can’t Wait

Diminutive Groups:

Little Joe and the Thrillers, 1950s - Peanuts

Little Caesar and the Romans – also a Geography Group, 1960s – Those Oldies But Goodies

Offering Personal and Career Advice Are:

Dickie Doo and the Don’ts, 1950s – Click Clack – There was actually no Dicky Doo. He was Gerry Granahan, a producer and singer whose 1958 (Sunbeam Records) big hit was the metaphysical political statement, No Chemise Please

I had a date for the hop last night

Up to her door everything seemed right

But to my surprise as I opened the door

I couldn't tell the front from the back

"Cause she was wearin' a sack dress

Whew what a mess!

The last time I saw her, man what a shape!!

And now she's got a shape like an egg!

No chemise, please, not for me, please ……The Don’ts were studio musicians and singers added for personal appearance tours. 

Entomology:

Adam and the Ants, 1970s – Stand and Deliver

Buddy Holly and the Crickets, (also sometimes just known as The Crickets due to contractual record label complications), 1950s – Peggy Sue

Meteorology:

Randy and the Rainbows, 1960s - Denise

Johnny and the Hurricanes, 1950s – Red River Valley

Nino and the Ebb Tides, 1960s – Jukebox Saturday Night

Sunny and the Sunglows, (later Sunny and the Sunliners but the Sunglows were on the biggest hit) 1950s -Talk to Me

People: 

Huey “Piano” Smith and the Clowns, 1950s – Don’t You Just Know It

Iggy and the Stooges, 1960s – I Wanna Be Your Dog

Norman Fox and the Rob Roys, 1950s – Tell Me Why

Steve Earle and the Dukes, 1960s – Guitar Town

Nolan Strong and the Diablos, 1950s - The Wind.  The Jesters had a more successful version than this Detroit based pre-Motown group. 

Gary Lewis and the Playboys, 1960s – This Diamond Ring

Kathy Young and the Innocents, 1950s Thousand Stars….Kathy Young was the daughter of actor, Robert Young of Father knows Best fame. 

Sam the Sham and the Pharaohs, 1960s – Wooly Bully

J. Frank Wilson and the Cavaliers, 1960s – Last Kiss

Automotive:

Little Anthony and the Imperials (Chrysler had a luxury model called Imperial), 1950s – Tears on My Pillow

Booker T. and the MGs, 1960s – Green Onions

Violent Action:

Paul Revere and the Raiders 1950s - Kicks

George Thorogood and the Destroyers, 1970s – Bad to the Bone

Prince and the Revolution, 1970s – Purple Rain

Bow Thayer and (the) Perfect Train Wreck – Wreckoning

Bob Seger and the Silver Bullet Band (If we had a Vampire category, it would work also), 1970s – Night Moves

Industrial Revolution:

Shep and the Limelights, 1960s – Daddy’s Home

Mike and the Mechanics, 1980s – The Living Years

Frank Zappa and the Mothers of Invention – Officially they were The Mothers of Invention but googling Frank Zappa AND THE yields all necessary information, 70s - We’re Only in it For the Money.

Florence and the Machine, 2,000s – Dog Days are Over.

Extra Terrestrials: 

? and the Mysterians (named for a 1957 Sci Fi movie and orally pronounced as Question Mark and the Mysterians), 1960s, 96 Tears. 

Link Wray and the Wraymen, 1950s - Rumble

Possessive Pronouns – These are His instead of AND THE Groups -Popular usage has usually substituted THE for His. 

Fred Waring and His Pennsylvanians, 1920s - Collegiate

Bill Haley and His Comets, 1950s - Rock Around The Clock

Billy Ward and His Dominoes, 1950s - The Bells

Commander Cody and His Lost Planet Airmen, 1960s – Hot Rod Lincoln

John Fred and His Playboy Band,  1950s – Judy in Disguise With Glasses

Captain Beefheart and His Magic Band, 1960s - Ashtray Heart

Ringo Starr and His All Starr Band,  1980s -Album – It Don’t Come Easy

Games:

Speaking of Dominoes, see Billy Ward above……Derek and the Dominoes, 1970s - Layla

Superstition:

Otis Williams and the Charms, 1950s – Hearts of Stone

Stop the Presses! Kenny Rogers and the First Edition, 1960s - Just Dropped in to See What Condition My Condition Was In.

Melodies: Harold Melvin and The Blue Notes – 1970s – If You Don’t Know Me By Now

Louis Lymon and the Teenchords, 1950s (also in the Made-Up Names category) – I’m So Happy

Dick Dale and the Del-Tones, 1960s – Let’s Go Trippin’

Current Events: Huey Lewis and the News, 1980s – Power of Love

Fashion:Bob B. Soxx and the Bluejeans, 1960s – Why Do Lovers Break Each Other’s Hearts. While Bob B. Soxx sang lead on their first hit, Zippity Doo Dah, producer Phil Spector brought in the great Darlene Love to sing lead on Why Do Lovers Break Each Other’s Hearts”, their biggest hit. 

Legendary Irish Beings - Siouxsie and the Banshees – Hong Kong Garden, 1970s

 

The 2000s revival indicates that we have not seen the end of AND THEs in group names although the days of the lead singer to one side, or in front (front man?) with the backups,  we’ll call it the Pips Syndrome, doing their carefully choreographed dance steps may be over. There have been many creative variations in the evolution of music from Frankie Lymon and The Teenagers to Wayne Fontana and the Mindbenders to Tom Petty And The Heartbreakers to Nathaniel Rateliff And The Nightsweats. Spanning 70 years (100 if you count Fred Waring), and the AND THEs are still with us. It's just that you may have not known it since AND THEs in the center of a group name is taken for granted but now, perhaps, you will take notice and now you too can have your friends think that you are strange.

 

And remember Nino? You recall Nino. He inspired our And The academic study. He and the Ebb Tides also crooned:  

Yes, dear, they are playin' our songs. 

And they will always remain our songs 

And each time you hear them, I hope you, too, will cherish the wonderful Memories………….. 

 

 

 

 


Just part of 





 

 

 

 

 

Wednesday, May 3, 2023

The Early Bird Catches the Earworm



 

 

Hums aren’t things which you get; they get you.

—Winnie the Pooh

 

The early bird catches the worm was first recorded in A Collection of English Proverbs by John Ray in 1670 and again in 1678.

 

 

Why do some songs get wedged in our heads?  They are called earworms. Earworms are a universal phenomenon that appears to affect men and women equally. According to researchers, about 98% of all people have gotten songs stuck in their heads at one time or another.  Margaret says, “they’re very annoying when you don’t know the words”.

We’ve decided that this phenomenon of the earworm warrants further investigation.  In fact, our further investigation revealed that there have been several further investigations as you will soon see. 

The English word, earworm, is actually centuries old and was another name for the earwig, which got its name from the belief (fortunately, very wrong) that worms crawled into people's ears. Hence, earworm. This belief was widespread. It shows up in English over 1,000 years ago, and we know that the belief was all over the European continent by looking at other languages' names for this creature. Danish, Swedish, medieval Dutch, medieval Latin, medieval French—all of the names for the earwig in these languages refer to the ear. German, too: the earwig is called an Ohrwurm. and the image of a slinky, slimy creature oozing into your ear is the one that caught on. The term “earworm” with its contemporary connotation was coined in 1979 by the German psychiatrist Cornelius Eckert as he hummed Uptown Funk.  It would be a psychiatrist, wouldn’t it? Scientists call it other names, like “stuck tune syndrome” and “musical imagery repetition.” If your earworm involves Justin Bieber, it may result in suicidal thoughts and at the very least a symptom of mental illness. 

 

As we investigated earworms, we were surprised at how much time and money has been spent studying earworms.  Ian Cross, professor of music and science at the University of Cambridge (while humming Queen’s, We Will Rock You) notes, “There’s not only the rhythmic structure, but there’s also melodic structure—the tune, the ups and downs, and the pitch that the words accompany. Put all these together, and that gives you a very powerful set of cues to remember.” Personally, I hate it when I know the melody and some lyrics to a song that’s bouncing around in my brain but cannot recall the title - like that Fleetwood Mac song a few days ago. Meanwhile, Professor Paul Barsom from the Pennsylvania State University (while humming Who Let the Dogs Out?), suggests that we tend to remember certain musical combinations more than others. The reason for this lies in several factors. According to Dr. Barsom, music that feels familiar catches our attention more. For instance, someone who grew up listening to heavy metal is unlikely to get earworms from Vivaldi’s Four Seasons. Being an exception to all rules identified by researchers, I take cannot explain why I can go from A Nightingale Sang in Berkely Square to Little Eva’s Keep Your Hands Off My Baby

 

Earworms are sections of songs that we remember in our minds. One study (they were stuck on Bohemian Rhapsody) calls it Melodic Feature Extraction. Once they start, these music memories can repeat uncontrollably—for hours, days, even weeks at a time. Research indicates that nine out of ten people have experienced earworms that have lasted for an hour or longer. A few unfortunate souls even report having a song stuck in their heads for a year. One can only hope it didn’t involve Mariah Carey or Michael Bolton. There is even a musician known as DJ Earworm.  "Usually, an earworm is a fragment of music, typically three or four bars, which go round and round and round,” Dr. Oliver Sacks said in an interview. Dr. Sacks is a neurologist and author who studies music and the brain and hums Journey’s Don’t Stop Believing while working. “This is a special form of involuntary musical imagery which is out of control and can become quite unpleasant and intrusive.” Dr. Sacks denies that one of his favorite earworms is Achy Breaky Heart.

While songwriters have learned many tricks for creating earworms, squashing them is another story. Earworm sufferers try many ways to erase an annoying melody. Some try to replace it by thinking of another song. Others sing the earworm song all the way through to its end. Others tackle a task that takes extra concentration. One study found that the harder people fight to quiet an earworm, the longer it tends to torment them.  

Tell me if you can, 

Why I keep thinking about you, baby?..........Tata Vega

 

TV and radio ads are a common source of earworms. Advertisers do their best to compose jingles or short songs they hope will turn into earworms. If they succeed, that means they have done their job to get customers to remember their restaurant, breakfast cereal, or other product.  Years ago, while dropping off Margaret for work in the morning, I would occasionally try to brighten her day by singing the A&P jingle (a proud new feeling) to her as she got out of the car. I’m not sure if it worked.  She would never tell me. It sure worked on me though. An 8:30 a.m. meeting had me speaking while that jingle was jingling away in my brain.  My earworms are rarely from TV or Radio advertisements, although a few years ago when Under Control by Tim Meyers, from, I believe, a Cadillac commercial got stuck there, it remained until I downloaded the song.

 

In our essay, PEASE in Our Time (from The Man With Three Arms and Other Stories), we explore the five memory lanes of the brain, Procedural Memory, Episodic Memory, Automatic Memory, Semantic Memory, and Emotional Memory….PEASE…… Many ear worms connect to your episodic memory with which you remember where you were were or what were you doing when you heard a certain song. 

 

The auditory cortex is where earworms create most of your mental karaoke routine. This is a part of the brain that does a lot of the processing of sounds, including music. It is also where musical memories are stored. Dr. Sacks (while humming Taylor Swift’s Shake it Off), in his book, Musicophilia suggests that earworms are largely a product of the electronic age. More than a century ago, most people had to go to parties, concert halls, or places of worship to hear music. There were no radios, stereos, personal phones or iPhone players that people could turn on and play their personal playlist. But today, people are surrounded by music wherever they go—in cars, stores, and through their headphones. Earworms have constant access to people’s minds and memories. Speaking of annoying, we imagine that many people have Hip Hop music as earworms? Makes us think of the old Little Anthony and the Imperials song…..Goin' out of my head over you

Out of my head over you out of my head day and night

Night and day and night, wrong or right

Night and day and night

Wrong or right, day or night

Everyday, every, every day………

 

Researchers at Dartmouth, while humming YMCA, conducted a brain scan experiment to test where the brain deals with “imagined music.” They played part of a familiar song, then interrupted it. The people being tested imagined the parts that were missing. "We found that the auditory cortex that is active when you’re actually listening to a song was reactivated when you just imagine hearing the song,” according to David Kraemer, the lead researcher while humming We Are the Champions. In other words, the auditory cortex acts as your imagination’s MP3 player. In order to get stuck in your head, earworms rely on brain networks that are involved in perception, emotion, memory, and spontaneous thought. They are typically triggered by actually hearing a song, though they may also creep up on you when you are feeling good, or when you are in a dreamy (inattentive) or nostalgic state like a summer evening at our dock when the Irish song, Wild Rover: And it's no, nay, never (clap 4 times)

No, nay never no more

Will I play the wild rover

No never no more), bounces around in there.  And they may also show up when you are stressed about having too much to think about. It’s as if your stressed-out brain latches onto a repetitive idea and sticks with it. Also, if you have a musical background, you may be more susceptible to earworms too.

 

Clearly, the subject of earworms fascinates brain scientists and a certain author we know who gets them jammed into the auditory context all too frequently.  Of the 365 days (366) days in a year, I will wake up with an earworm on perhaps 320 of them.  I know this because each morning on waking, part of my early routine includes listing that morning’s earworm bouncing around in my brain. I have a dozen pages of ear worms, 50 to a page. Yes, I know that’s another problem.  I’m sure there are support groups and counseling for this. This morning it was Connie Francis’ Lipstick On Your Collar* (1959).  Where did it come from? I have no idea. I may not have even thought of it or Connie in 40 years or so. I don’t know how it got there but there it was.  So much for the research. 

 

Scientists have found that people’s memory for music is incredibly powerful. And putting information to music can help us remember facts and details more easily. For example, the ABC Song sung to the tune of Twinkle, Twinkle Little Star probably helped you learn your alphabet, n’est pas? People can remember the melody, beat, and words to a song years after they last heard it.  Researchers believe that earworms tend to be songs with catchy melodies that repeat often. As the melody repeats and repeats, it gets embedded into your mind. Long after the tune stops, your brain continues to play it on repeat. This fails to explain why Patience and Prudence’ Gonna Get Along Without You Now (1957) appeared a month ago, where from? Really, no one knows Patience and Prudence.  Patience and Prudence don’t even know Patience and Prudence. Somehow it was replaced the next day by Kenny Chesney’s How Forever Feels (1998). I just wonder what triggered them?  I wake up and there they are.  I did not dream of either Patience or Prudence or Kenny although I’d estimate that at least half of my earworms are 50s and 60s songs. It is clearly an age thing. One wonders which earworms 20 or 30 year olds experience. 

 

Many people consider earworms to be unwelcome because they can be both annoying and distracting. If you’re trying to focus on a task, an earworm can make it hard to concentrate and accomplish what needs to be done. Certain personality features also may predispose you to being haunted by a catchy tune. If you are obsessive-compulsive, neurotic, anxious, self-conscious, and vulnerable, then there they are.  

 

Don’t try to get rid of an earworm.  There’s no sure-fire way of killing an earworm. Some people try to listen to a different song to dislodge the tune they don’t want to hear. Others take the opposite approach: they listen to the offending tune from beginning to end in an attempt to get it to go away once it has finished. Others might try a conversation or beginning some sort of new activity to divert their attention elsewhere.  Recently, I wittily responded to my friend Al’s Facebook posting asking folks to name their favorite 70’s band, I jokingly responded Ohio Express.  My punishment was having Yummy Yummy Yummy I”ve Got Love in My Tummy bounce around in my brain for days. Side note: during the composing of this essay, Don’t You Ever (2019), by an obscure singer named Spirit Ghost was earworming away. I first heard it being played on a soundtrack in a pet store in Fairfax, (Grateful Dead country), California. Thanks to Shazam, I looked it up as my sister, Mary, was purchasing pet items. Now it’s on my iTunes playlist and has wormed its way into my brain along with many others.

 

The team of researchers (while humming Pharrell Williams Happy)  ………we repeat there are apparently numerous teams of researchers of earworms everywhere and so far no team member, that we know of has gone Postal………not even over Sweet Caroline?  …..at St. Andrew’s University School of Philosophical, Anthropological and Film Studies overcame Meghan Trainor’s All About The Bass and developed a mathematical formula for explaining what makes an earworm. Evidently, an earworm needs five key components: surprise, predictability, rhythmic repetition, melodic potency and receptiveness (how the listener feels about the song). The formula is expressed as Receptiveness + (predictability-surprise) + (melodic potency) + (rhythmic repetition x1.5) = earworm. The most addictive earworm named was Queen’s, We Will Rock You, with the band having three songs in the Top 20 alongside Bohemian Rhapsody and We Are the ChampionsJingle Bells was the oldest song in the list. There are several earworm song list sites.  This one has 100 of them - https://reads-it.com/earworms-100-songs-your-brain-can-t-forget/  although frankly, if I had Karma Chameleon stuck in my brain  I might have to use a power drill in my ear. 

 

An article in Neuroscience News.com credited to University of California Davis, written while the author was humming Living on a Prayer, postulates that research into earworms could eventually lead to the development of nonpharmaceutical, music-based interventions to help people suffering from dementia and other neurological disorders to better remember events, people and daily tasks.

 

In summary, Involuntary Musical Imagery (upmarket jargon for earworms) is the spontaneous recall and repeating of a tune in one’s mind.  They are ephemeral. They can be attributed to a wide range of triggers, including memory associations and recent musical exposure. Often, it is your favorite song of the moment. In most cases, an earworm will eventually go away on its own. That is, until another one comes along to take its place.

 

*As for Connie Francis, who inspired this essay dozens of earworms ago,

We have her on a YouTube video from American Bandstand (1959) for possible earworm inclusion. Also note the intense gum-chewing audience and elaborate choreography. 

https://www.youtube.com/watch?v=V8x5cUFoDnU

 

As for the  Earworms mentioned in this article?…..Go ahead. We dare you:

 

We Will Rock You  https://www.youtube.com/watch?v=TXGbhniTBrU

 Bohemian Rhapsody - https://www.youtube.com/watch?v=fJ9rUzIMcZQ

Who Let the Dogs Outhttps://www.youtube.com/watch?v=Qkuu0Lwb5EM

Living on a Prayer.       https://www.youtube.com/watch?v=ohFtQIPqGSo

A Nightingale Sang in Berkeley Square. https://www.youtube.com/watch?v=kyofs0mreCc

Keep Your Hands Off My Baby.  https://www.youtube.com/watch?v=FCUNa_RIIxE

Gonna Get Along Without You Now https://www.youtube.com/watch?v=LLwU2soAB6s

How Forever Feels https://www.youtube.com/watch?v=iMeUY6pZ9aE

Yummy Yummy Yummy I”ve Got Love in My Tummy https://www.youtube.com/watch?v=Yijqy48mmG4

Don’t You Ever https://www.youtube.com/watch?v=jLZqPZ_tgaA

Happy https://www.youtube.com/watch?v=y6Sxv-sUYtM

YMCA https://www.youtube.com/watch?v=CS9OO0S5w2k

Don’t Stop Believing https://www.youtube.com/watch?v=1k8craCGpgs

Jingle Bells https://www.youtube.com/watch?v=3CWJNqyub3o

Four Seasons https://www.youtube.com/watch?v=GRxofEmo3HA

Achy Breaky Heart https://www.youtube.com/watch?v=byQIPdHMpjc

Just Keep Thinking About You Baby https://www.youtube.com/watch?v=0RCnEiouSL0

Wild Rover. https://www.youtube.com/watch?v=1SjiSwXUgys

All About the Bass https://www.youtube.com/watch?v=7PCkvCPvDXk

Under Control https://www.youtube.com/watch?v=ryzxU137DzU

ABC Song https://www.youtube.com/watch?v=ezmsrB59mj8

Twinkle Twinkle Little Star https://www.youtube.com/watch?v=yCjJyiqpAuU

Uptown Funk https://www.youtube.com/watch?v=5JtL8b2t1EQ

 

 

PS – We would not inflict Karma Chameleon on anyone….ever. Same for Justin Bieber

 

Sources:

 

YouTube

 

https://www.kennedy-center.org/education/resources-for-educators/classroom-resources/media-and-interactives/media/music/your-brain-on-music/your-brain-on-music/your-brain-on-music-earworms/

 

https://www.health.harvard.edu/blog/why-you-cant-get-a-song-out-of-your-head-and-what-to-do-about-it-2017100412490

 

American Psychological Association 2017, Vol. 11, No. 2, 122–135

 

https://neurosciencenews.com/earworm-memory-18731/

 

 

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